Romeo and Juliet
Anima Eterna Brugge
Musique
ASSOCIATE ENSEMBLE & ARTISTS
MUSICAL DIRECTOR Jos van Immerseel
PIANOFORTE Anna Vinnistkaya
- CAST
Rüdiger Lotter, Balázs Bozzai, László Paulik, Julia Didier, Malina Mantcheva, Laura Johnson, Carlotta Conrado, Catherine Arnoux, Barbara Erdner violon I
JosephTan, Mikolaj Zgolkaj, Yannis Roger, Sara De Corso, Ellen Nimeroski, Johannes Platz, Hélène Houzel violon II
Frans Vos, Esther van der Eijk, Chloé Parisot, Noah Mayer, Örzse Adam, Corina Golomoz alto
Davit Melkonyan, Dmitri Dichtiar, Inka Döring, Nicholas Selo, Ilze Grudule, Verena Zauner cello
Mattias Frostenson, Georg Schuppe, Elise Christiaens, Ben Faes double bass
Georges Barthel, Anne Pustlauk flûte
Regina Gleim piccolo
Peter Tábori, Elisabeth Schollaert oboe
Stefaan Verdegem cor anglais
Lisa Shklyaver, Diederik Ornée clarinet
Peter Rabl bass clarinet
Jane Gower, Lisa Goldberg bassoon
Antoine Pecqueur contrebasson
Arno Bornkamp saxophone
Ulrich Hübner, Martin Mürner, Renée Allen, Jörg Schultess, Helen MacDougall cor
Nicolas Isabelle, Sebastian Schärr trumpett
Markus Schwind cornet
Gerd Schnackenberg, Carolus Gevers, Gunter Carlier trombone
Luc Geraats tuba
Jan Huylebroeck timbal
Koen Plaetinck, Glenn Liebaut, Barry Jurjus percussions
Pieter-Jan Verhoyen célesta
Marjan de Haer harp - PROGRAM
RIMSKY-KORSAKOV La grande Pâque russe, ouverture op. 36 (1888)
RACHMANINOV
Vocalise op.34 (1912 rev. 1915)
Rhapsodie sur un thème de Paganini (1934)
PROKOFIEV Roméo et Juliette, suite de ballet n°2 op. 64c (1936)
Jos van Immerseel and Anima Eterna Brugge return to Russian music with two scores that explore an extension to the 20th century. The programme plunges first of all into the Passion, in the religious sense of the term, that animates the Slavic soul, with Rimsky-Korsakov’s Russian Easter Festival Overture, a highly colourful score that celebrates the legendary pagan aspects of this Resurrection day and the spring equinox. Replete with passion of a more carnal nature this time, Prokofiev’s Romeo and Julietdisplays exceptionally rich thematic invention, and marks the composer’s return to a more traditional tonality, yet without retreating a step from the harmonic violence that infuses his futuristic and expressionist works. Carried forward by a rare and dark dramatic force, Rachmaninoff’s Rhapsodyis one of the composer’s most dense and original scores of deep, emotive sensitivity.
- December 2019
- Tuesday 03 at 20:00