Unfinished
Les Dissonances | David Grimal
Musique
ENSEMBLE & ARTIST IN RESIDENCE
LES DISSONANCES
ARTISTIC DIRECTOR David Grimal
- CAST
Grimal David, Simonca-Oprita Stefan, Le Rol Anne-Sophie, Marica Maria, Gable Doriane, Bertrand Elise, Favier Amanda, Percevic Ivan, Chavrier Benjamin, Furda Léonard, Duerichen Ludwig, Metral Joseph, Serban Valentin, Marechaux Hélène, Nemtanu Samuel, Schatzman Pablo, Smeu Abi, Amiraghyan Zaruhi, Glazunova Elizabeth, Altmayer Sulliman, Philippe Manon, Baciu Vlad, Oserov Maarja Helen, Node Langlois Dorothée violon
Hennino Léa, Tchitch Natasha, Entringer Aurélie, Rassekhi Behrang, Marion Plard, Nadaud Issey, Percevic Vladimir, Martinez Alain, Gaillard David, Dupuy Clémence alto
Levionnois Yan, Colmez Natacha, Bellom Adrien, Luzzati Héloïse, Fruchart Jérôme, Horiot Hermine, Natorp Noé, Samuel violoncelle
De Groot Niek, Durantel Laurène, Simon Odile, Christiaens Elise, Hanskov Mattias, Avraham Yosef contrebasse
Gallego Ronda Julia, Pelat Bastien, Vern Julien flûte
Gattet Alexandre, Sharma Nikhil, Neumann Rebecka hautbois
Bonansea Bruno, Burgelin Gaëlle clarinette
Guy Rousseau Renaud clarinette basse
Hardy Julien, Sarazin Théo, Bonnardel Elfie basson
Collard Alexandre, Roth Félix, Burnet Pierre, Zeller Katharina, Viallon Hugues, Burrus Pandora, Sarrazin Grégory, Chacon Pauline cor
Couloumy Guillaume, Sadilek Josef, Lair Julien trompette
Ganaye Antoine, Lahens Alexis, Vinatier Cédric trombone
Stein Sébastien tuba
Eguillor Javier timbales - PROGRAM
BERIO | SCHUBERT Rendering
BRUCKNER Symphony n°9 in D minor
After last season’s Mahler/Webern concert, Les Dissonances present yet another singular experience. This time Schubert is called upon to illuminate Bruckner’s last, unfinished score. This Schubert, however, is as unexpected as it is rarely heard, brought to new life by the 20th century composer Luciano Berio. An astonishing work, Renderingtakes fragments from Schubert’s unfinished 10th Symphony and fills the intervening blanks with motifs and citations from these fragments adapted in Berio’s own style. The objective is to create an integral work, separated in the writing by some 200 years, the one in the shadow of the other. Bruckner’s symphony thus is illuminated from two angles: one ahead, opening the path, and the other behind, like a memory, both narthex and apse of this unfinished cathedral of sound that opens up onto a chasm both infinite and suspended.
- January 2020
- Thursday 09 at 20:00